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	<title>Hi Mo</title>
	<link>http://www.adrianmojica.com</link>
	<description>Hi Mo</description>
	<pubDate>Fri, 18 Nov 2011 03:10:18 +0000</pubDate>
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		<title>Microsoft Cloud</title>
				
		<link>http://www.adrianmojica.com/Microsoft-Cloud</link>

		<comments>http://www.adrianmojica.com/following/adrianmojica.com/Microsoft-Cloud</comments>

		<pubDate>Fri, 18 Nov 2011 03:10:18 +0000</pubDate>

		<dc:creator>Hi Mo</dc:creator>
		
		<category><![CDATA[]]></category>

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		<description>

Microsoft Cloud Computing
This :15 web pre-roll spot was produced using stop motion and compositing techniques to introduce the "camera-less animation" effect on the cloud.  I served as the Post-Supervisor for the team of animators that met the challenge of keeping pace with client revisions within a practical-driven workflow.  I even pitched in for some of the stop-motion sequences as well.
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		<title>The Old Man and the Turtle</title>
				
		<link>http://www.adrianmojica.com/The-Old-Man-and-the-Turtle</link>

		<comments>http://www.adrianmojica.com/following/adrianmojica.com/The-Old-Man-and-the-Turtle</comments>

		<pubDate>Fri, 18 Nov 2011 01:47:57 +0000</pubDate>

		<dc:creator>Hi Mo</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">2326083</guid>

		<description>

The Old Man and the Turtle
Dir. Zak Kapela
Editor Adrian Mojica
16mm film
A father and son sift through a desolate coastline for remnants of a distant humanity.</description>
		
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		<title>Pacific Scene Selects</title>
				
		<link>http://www.adrianmojica.com/Pacific-Scene-Selects</link>

		<comments>http://www.adrianmojica.com/following/adrianmojica.com/Pacific-Scene-Selects</comments>

		<pubDate>Thu, 17 Nov 2011 05:19:13 +0000</pubDate>

		<dc:creator>Hi Mo</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">2321213</guid>

		<description>

Shot on 35mm, often with multiple cameras, the production attempted to capture the distinct character of the environment and the people involved. Filming for the most part in narrative order, incorporating improvisations, and working collaboratively, the production allowed for surprises, focusing on process.

Treating the coverage akin to a documentary, editor ADRIAN MOJICA reworked the large amount of footage into something that maintained the feeling of the original story but also worked on its own. Together with the director, Adrian discovered a film that was much more lyrical and internal than originally conceived. </description>
		
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